Just this past week I was privileged to be able to prepare tea for a meditation group I attend weekly. Our practice is Insight Meditation or Vipassana, a very old Buddhist practice that migrated to the West through Thailand. Besides wanting to share some delicious tea, I also had an interest in discussing and experiencing tea as a meditation object. Tea and Buddhist thought have been intertwined for almost as long as Buddhism itself, and as tea made its way throughout the world becoming altered by the traditions of the cultures through which it traveled, so too did the practice of awareness travel and mold itself to fit each place.
I began the class with a quote by Sen Sōtan that I hoped would bring some mindfulness and curiosity to the sitting,
“If asked / the nature of Chanoyu / say it’s the sound / of windblown pines / in a painting.”
Tea, in my opinion, gives us the chance to honor this moment, which is unique and will never happen again. As written by Shunryu Suzuki,
“Treat every moment as your last; it is not preparation for something else.”
“Treat every moment as your last; it is not preparation for something else.” This was the advice I read to the group before I began preparing their first cup of tea. As they drank, I suggested one additional instruction: “Three sips, two hands, one cup.”
Why tea? Because it lends itself to ritual and is at the same time a mundane activity. It is also a single beverage that exists in the experience of millions of people on this planet. It is perhaps one of the few unifying factors that lies between all countries and cultures. What is making tea? Simple! Heat water, infuse leaves, drink. And yet, when one cares to do so, it is possible to perform those actions with mindfulness, being aware of each step, each motion, fully in the present.
In one sense, tea is no different from any other familiar activity, but it can be used to create something special. After all, sitting is done without mindfulness many times each day, but when we sit to meditate, we tend to do so with a bit of ritual; a bell may be rung, a cushion may be used, or our hands may be placed just so. None of these things are necessary, of course, but they are aids to mindfulness. Such variation helps us remember that we are not performing an everyday activity. When making tea, through the use of particular tools, motions, or setting, one can also cultivate such a variation. Indeed, others have developed these variations into rituals and schools for hundreds of years.
To quote Dennis Hirota from Wind in the Pines, “The practitioner eliminates all notions of utilizing the teascoop, or displaying it, or impressing the guests with deftness of movement; in this way the mind ceases to objectify it and becomes immersed in it. By entering into the teascoop and becoming one with it, the life of the teascoop is experienced from within, and this is also for the tea practitioner to become manifest with wholeness of mind and sincerity. ”
The important part is to set that moment aside, however short or long, as a moment of practice. Thich Nhat Hanh advises us,
“Drink your tea slowly and reverently, as if it is the axis on which the earth revolves — slowly, evenly, without rushing toward the future.”